Showing posts with label Brownsville Station. Show all posts
Showing posts with label Brownsville Station. Show all posts

Friday, May 2, 2014

Brownsville Station - Motor City Connection


Well Crabby mentioned some Brownsville Station stuff in the comment section to Brownsville Station's Yeah! album and I'll tell ya what - I just don't need much prompting to get started listening to anything Cub Koda was connected to.  Because plain and simple, Cub loved Rock N' Roll the same way I do, and he knew why some music was great and why some music just sucks.  You don't need a refined or critical ear for Rock N' Roll, but you do need to know why some stuff, even though it's nothing new, is now and always will be 100 times better than something like say, whoever this year's "Rocker" is on American Idol.  Yeah, maybe Brownsville Station spent too much time in Boogieland, but even their worst is better than every one of those guys on that show combined.  Maybe it's the Detroit Rock N' Roll Swagger?  I don't really know. But I'll say this, whatever it is Brownsville Station had, it's the thing that craftsmanship and attitude only make better.

Because I'll admit it, there's no-one in this band with Rock Super Powers.  No one plays 100 miles an hour, no one writes lyrics that have so many meanings you could write a book about them and no one will make you cry with their beautiful voice.  You will however, have your face rocked off on their killer instrumental cover of Crazy Legs.  It's just bitchin' guitars and a killer harp rocking your ass for three minutes or so.  It's the kind of thing J Geils Band did, but Brownsville Station is just stopping in for a quickie in that genre, and they pretty much show everyone how it's done.  It sounds effortless, but I'm sure it has a lot of thought behind it.

I knew a guy that used to play a lot of Brownsville Station albums (I seem to remember it was either them or a host of Progressive Rockers - kinda weird).  He had this album, and I always remembered Crazy Legs, the fantastic opener Automatic Heartbreak and the truly epic They Call Me Rock N' Roll.  You might be thinking, "only three memorable songs?" but that's not exactly right.  Combination Boogie and Self Abuse are the kinds of things you could count on on a Brownsville Station album.   It's not filler. It might not be brilliant, but you can always put on a Brownsville Station album and you can listen to the whole thing and it's all good.  There's never anything shitty on their records.  Anyway, this guy lived in his own house, over by the airport and he was all by himself with no one near.  He had some kind of old speakers that looked like end tables, and they were huge.  I think he had a shelf full of Pioneer or Marantz stuff and we'd blast the hell out of that thing.  The whole house was probably less than 600 square feet, but when I was 16 I thought it was beyond cool.  He paid like 125 bucks a month for it, which was ridiculously cheap, even then.  I loved going over there.

I bought this at a used record store, I think.  Not really all that long ago.  Maybe just a year or two.  I know it was still sealed, and I couldn't believe it!  I remember the kid asking me if I was going to keep it sealed for an investment, and I just said, "No, I'll probably open this as soon as I get home and play it right away."  He seemed to think I was making a mistake, but I don't buy records to look at.  I buy them to listen to.  And I've listened to every record I have.  I don't get buying them just "because."  I have some records I don't like, but I eventually take them to the record store and get rid of them.  But records I've never played?  That's just stupid.  So anyway, since I got this still sealed, it's like a brand new record from 1975.  It sounds like a brand new record and it looks like one, too!

Friday, March 25, 2011

Brownsville Station - A Night on the Town


Maybe it's because I'm from the Midwest, but I can really get behind a band like Brownsville Station. Not just because Cub Koda used to write a column in Goldmine called The Vinyl Junkie, but because he so obviously loved writing about the kind of music he loved to play. Brownsville Station was from Detroit, and they seemed influenced by Teenage Movies, Girls and just the thought of a good time. I think this was their second album, and it's pressed on a decent slab o' wax and sounds pretty good (it was recorded at Cleveland Recording). There's plenty of Midwestern, Detroit crunch in the guitars and Michael Lutz handles the vocals with authority.

You really can't ask a record that's been owned by at least two people before me to be any more awesome than A Night on the Town (Previous owners David Coy and D. Hustava both put their names inside the jacket and STILL managed to not own this anymore). This is chock full of guitar solo's, boogie and professing their love for Rock N' Roll. I was thinking of comparing this to Rod Stewart's A Night on the Town (because I'm sure this was Rod's influence), but it's pretty obvious that Rod missed the whole point of what a night on the town should really be all about, and Brownsville Station knows that it means letting it all hang out, kicking out jams if you got 'em and having fun.

I really love the total lack of pretension and self consciousness on this album. They don't care if Jonah's Here to Stay sounds like it should have come out in 1968 instead of 1972, or that it sounds like a Three Dog Night outtake because it's good. They get it back and make it their own, and prove that they aren't just a boogie band. They're the real deal and they deserved every second of fame and every penny Smokin' in the Boys Room finally netted them. Mr. Robert and Leavin' Here bring plenty of Rock attitude and guitars to the party, and while Brownsville Station doesn't reinvent anything here, they don't need to. They're too busy making sure their fans are having fun dancing and partying.