So have you ever watched videos of people looking at their records? You may think, "Rick, that sounds really fucking stupid." You wouldn't be wrong, but what's the difference between someone making a video and showing you some new records they just got, or talking about some records they like and writing about their records in a blog? Really, not that much when you come to think of it. I started this project mainly just to make sure I keep writing things, using paragraphs, spelling words and generally not turning into one of those IT guys that can only spell or communicate in acronyms. So before you go giving these people a hard time, remember, they're just having some fun with their stuff and lets also remember that those of us that collect records have had some serious issues in the past:
Guys that collect records are notorious for not having girlfriends or wives. Many of those that did have ended up choosing records over that life. C'mon, you've met them so don't look at me like that.
Guys that collect records often have all the social skills of a ten year old with a new toy he doesn't want anyone else to touch. They also often don't understand why people might not give a shit who Robert Ludwig is. Or what a matrix number is. Or any number of the little bits of minutiae that give record geeks a hard on.
Guys that collect records often have serious issues with body odor. Every record show I've ever been to, some cat smells like he doesn't wipe his ass or bathe, and I'll be damned if that dude isn't always following me or just ahead of me.
So we shouldn't be throwing any stones near our incredibly fragile glass house, ya know?
Anyway, I was down a YouTube rabbit hole watching people show off their newest records and I had a pretty entertaining time of it, actually. Especially with the kids. The kids are teenagers or young adults, and it's really pretty cool to see just how excited they get about something like finding a Rolling Stones Let It Bleed album with the poster (and to be truthful I don't have one of those, so I'm a little jealous!). You just go to YouTube and search on Vinyl Community and there's tons of stuff to sit and watch. The common thread is that everyone is really into records, and the size of the collection doesn't matter. You can have thirty or 30,000. All you have to do is hold up your record and go back to kindergarten and do the whole Show and Tell thing. I'm often very surprised at how much the kids know about Classic Rock and first pressings, label variations. One girl held up a Columbia Two Eye label and called it exactly that. I didn't know anything about that kind of stuff until I was in my twenties. I kind of wish the kids would listen to more new stuff, but maybe that will change as they make more money? New records are expensive, but then again some of the old stuff they dig up isn't exactly cheap. But I'm not gonna complain about kids listening to records. Or showing them off on YouTube. I think it's pretty cool, and they meet other people that like their records. So good for them.
All of which has nothing whatsoever to do with the first Tom Petty and the Heartbreakers album. I know I said Damn the Torpedoes was his masterpiece, and I stand by that, but man, I'll tell ya, when this came out in 1976 and I first heard it wherever it was I first heard it, I was really excited about these guys. I mean this is kind of a scattershot album, but I have loved Breakdown since the day I first heard it, and I still love it. I remember my friend's dad that had a real, honest to goodness, badass stereo in his basement had a little Datsun B210. That's the little car my friend always tried to get, because he had a killer Pioneer under dash stereo cassette and a bunch of Jensen Coaxials wherever he could fit them in. Man, Breakdown would just shake the paint off that little car when my friend cranked it up! That used to be a lot of fun!
I think this record got more play than it might have otherwise just because Breakdown and American Girl were just instant favorites for everyone. I don't think the rest of the record really holds up to the standard set by those two songs, but Strangered in the Night, and Fooled Again (I Don't Like It) were just good enough to garner some airplay and keep the sides on turntables. I don't think anyone thought Tom Petty would still be selling out anyplace he wants to this far into the game, but it really doesn't seem like that kind of success couldn't have happened to a nicer, harder working guy that knows how hard it is to make it in Rock N' Roll and also appreciates the history of the genre. I mean, for me the guy gets into a sameness after Damn the Torpedoes that I'm just not interested in, but he was a new Classic Rocker at the time when it was starting to look like there might not be any of those anymore. So that's pretty cool.
Well, that was a rambling, mostly incoherent little essay, but that's okay. I tend to look at these like the kind of things I'd say if you were here listening to records with me and you couldn't figure out how to get a word in edgewise. Not so much different than the YouTube people, is it? Except I probably take up less of your time! But back to my record - I've got an MCA Super Saver pressing, but it's really in great shape, and the vinyl is actually pretty heavy, flat and quiet. If you're looking for this album, you should be able to get one of these for five bucks or less. I had an earlier pressing long ago, but it had some issues that I think were related to the pressing plant not quite using enough vinyl to stamp the record. The first song on both sides was really bad! This one has been a nice replacement, though. I hope I come across one of the YouTube kids listening to it and enjoying it.
Showing posts with label Tom Petty. Show all posts
Showing posts with label Tom Petty. Show all posts
Saturday, July 19, 2014
Saturday, October 22, 2011
Tom Petty and the Heartbreakers - Damn the Torpedoes
I'm not a huge Tom Petty fan, but this is a hell of an album. You never had to buy it back in 79 when it came out, because they literally played every song on it, all the time, for a year. That says a lot. I know, some of you are saying, "They played all of Frampton Comes Alive, too" but that's different just cuz I says so. Damn the Torpedoes is the record that fully established Petty as a Big Star in a Big Way. It may seem like he was all over the place in the late 70's in retrospect, but his first album had a couple of pretty popular AOR songs on it, and then You're Gonna Get It! had a completely forgettable first side, but a second side that was really something. On Damn the Torpedoes it all gelled together into a complete album that just grabbed the whole country's attention and didn't let go.They played this on all the AOR stations (like WMMS and WWWM here in Cleveland), and they also played at least four songs on the Top 40 stations. Which kind of took Tom "away" from his teenage fan base and spread him out to everyone, but songs like Century City, Shadow of a Doubt and Louisiana Rain were so good that even the over saturation of the hits on this record could still get it played at parties with no complaints.
I can still remember my friend singing Here Comes My Girl, and I swear, he always cranked it way up and just belted out the line "I can tell the whole wide world, shove it!"
Man were we rebellious. But I know I felt the same way he did back then, though I have to admit I always liked Even the Losers the best. Just the opening lines made me a fan, and while I said I'm not a huge fan, that song is so good that I'll always give Tom the benefit of the doubt and see what he's up to. He's never grabbed my attention like he did with this album, but it's just so good that maybe I just can't get past some of his filler like I used to be able to.
I know I also said you didn't have to buy this one, and I meant it. If you want to hear Century City these days though, you'll probably need to get a copy. The used record stores always have a copy or two, but finding one that isn't partied out is the hard part. I think I found mine in a rummage sale for pocket change, and I may have got one from the kid that didn't like Tom Petty in 1979. So I appreciate that kid never playing this so I can enjoy it now!
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