I always liked Graham Parker, at least when he was first coming onto the scene in the late 70's and early 80's. The guy had a clever turn of phrase and attitude to spare, but he also had a real crackerjack band behind him, The Rumour. I had heard things about Brinsley Schwarz and I still haven't really checked out much of his career, but I found this awhile ago in a used record shop and the cover is just cheesy enough that I figured it had to be good. I wasn't too far off. This is a real nice record (with just the occasional click on a couple of tracks), and the cover doesn't give a lot to peruse while listening, but it does let you know who recorded the album and who played what, so it's helpful in a Rock Nerdy way, but just barely.
The opening track, Tula is a real keeper. Mid tempo rocker, with nice sounding guitars. I think that's pretty much coded in my DNA to like, so things get kicked off nicely for me. I like the reggae infused Writing in the Water, too. I really struggle with authentic reggae and get bored very quickly with it (I know, I'm a douche. I can live with it, you'll have to too). But there's a lot of music I seem to like reinterpretations of more than the original. What's nice about this is that it's done before it wears out it's welcome. C'mon, admit it - some of those reggae classics would be interminable at four minutes, and at eleven they seem like they've taken a day of your life. Three minutes is okay for anything.
I can never get enough of Randy Newman's Have You Seen My Baby? I think The Flamin' Groovies did it best, but The Rumour does a great job with it, too. Isn't the line about talking to strangers one of the best ever? I could maybe stand Newman more if I could get to those lines more easily in his music, but I always seem to need someone else singing it for me. side one wraps up with a real fun version of Rubber Band Man, and that's just a song I can't imagine anyone not liking.
Side two kind of gets a little lost with Depression and I Think it's Gonna Work Out Fine. The first is just a little depressing, and while I can try to empathize, I just wander off. The latter just never gets up and goes anywhere. So there's kind of a dead spot on side two here, but how many albums are perfect from top to bottom? Houston is a keeper, and it ends with the completely swell Name and Number, which has some nice, snarling vocals and a nice, fat guitar sound. It's definitely a nice, fat sounding track that came during a time when music was getting real lean and mean. I don't think Purity of Essence is anything you'll play everyday for a month after you get it, but it's definitely worth keeping and there's plenty of times when it will hit the mood just right. Besides, the band is spot on throughout, and even when the song doesn't have much going for it, the musicianship is just top notch.
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