Whaaaaat? You say? I hate it. Really. It pisses me off.
Why? Because it sounds like shit. The sibilance and distortion of the vocals is absolutely unbearable. My cartridge is aligned quite nicely, thank you, so let's not go there. But I'm gonna keep the record because I love these guys so much. And, luckily, the cd sounds fantastic.
The thing with this album is that when it came out it was a much more low key affair than Cartwright had been up to, so I had heard bad things. All those bad things were stupid. The songs here were easily the best Cartwright had ever done, and they still stand up with the best he's done since. I could listen to I Don't Care all day. The lyrics are deceptively simple and heartfelt, and if this isn't the best way to handle a break up, then that song hasn't been written yet (and it really hasn't - blame her and get a new girl is still the best remedy).
The best song on the album is Take a Ride. It's just nothing but sad and the music is perfect. It's one of those songs that when I hear it I think, "This would be a good song to get to listen to right before I die." But then I start thinking I'd like to listen to a whole bunch of things on that day, and I'd like to make sure I get in one last spin of Exile on Main St. I know, that's kind of morbid, but Take a Ride is about your last ride and while it's sad, it's not depressing. That's a fine line to walk when you're singing about dying, cuz let's face it, dying just isn't all that appealing.
The album as a whole isn't overtly concerned with Big Things. Waiting for the Day is a happy song that follows Take a Ride, and while it's kind of an I'll Be Your Doormat kind of song, Cartwright sounds like even though he's a doormat, he's okay with it. As Long is another doormat song (Greg is a total lost cause on this one), but the country shuffle and wailing steel guitar just bring this one home in such a winning way.
There's not a lot of really great albums to cry in your beer to. There's a lot of great songs, but a whole album of crying in your beer is hard to take. Break Up, Break Down is the kind of album Waylon Jennings or Merle Haggard used to make. The kind of album that can turn into parody and stereotype if not handled just so. The Reigning Sound nail it on this, and make a classic American record for the ages.
Now if only Sympathy for the Record Industry could press a record!
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